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Oscar Predictions Part 2 – Acting and Picture Awards

March 02, 2010


Yesterday I went through all the writing and technical awards, giving the complete list and my prediction for the winner.  Today will be the rest of the awards, notably the big acting awards and best picture.  Once again, some of these I will have to guess on because I haven’t seen all of the nominated films.  The group with the dot before it is the one I predict to win.  As always leave your comments below.


China’s Unnatural Disaster: The Tears of Sichuan Province – Job Alpert and Matthew O’Neill

The Last Campaign of Governor Booth Gardner – Daniel Junge and Henry Ansbacher

  • The Last Truck: Closing of a GM Plant – Steven Bognar and Julia Reichert

Music by Prudence – Roger Ross Williams and Elinor Burkett

Rabbit a la Berlin – Bartek konopka and Anna Wydra

I haven’t seen any of these but I feel the GM documentary is the most relevant, and I’m sort of biased because I live in Michigan.


Burman VJ – Anders Ostergaard and Lise Lense-Moller

  • The Cove – Louie Psihoyos and Fisher Stevens

Food, Inc. – Robert Kenner and Elise Pearlstein

The Most Dangerous Man in America:Daniel Ellsberg and the Pentagon Papers – Judith Ehrlich and Rick Goldsmith

Which Way Home – Rebecca Cammisa

I have heard nothing but excellent things about The Cove and it has been tearing up the festival circuit.  It already has a slew of awards and I expect that it will top its run off with the Academy Award.


  • French Roast – Fabrice O. Joubert

Granny O’Grimm’s Sleeping Beauty – Nicky Phelan and Darragh O’Connell

The Lady and the Reaper – Javier Recio Gracia

Logorama – Nicolas Schmerkin

A Matter of Loaf and Death – Nick Park

Nick Park has a great shot at this, especially with his past “Wallace and Gromit” films, but I’m giving the edge to French Roast because of the way it is shot and it’s originality.


Ajami (Israel) – Scandar Copti and Yaron Shani

The Milk of Sorrow (Peru) – Claudia Llosa

  • A Prophet  (France) – Jacques Audiard

The Secret in Their Eyes (Argentina) – Juan Jose Campanella

The White Ribbon (Germany) – Michael Haneke

A real race here between Ribbon and Prophet.  Originally about a month ago it seemed like White Ribbon had this one in the bag.  But A Prophet has built up some recent momentum, especially with it’s BAFTA win for best foreign film (which it tied with White Ribbon). Over the past few years the Academy has not given this award to the favorite so I am picking The White Ribbon to be upset here.


The Door – Juanita Wilson and James Flynn

Instead of Abracadabra – Patrik Eklund and Mathias Fjellstrom

  • Kavi – Greg Helvey

Miracle Fish – Luke Doolan and Drew Bailey

The New Tenants – Joachim Back and Tivi Magnusson

I’ve only seen Abracadabra so this is a guess here but I am going to pick Kavi – no real reason, sorry.


Coraline – Henry Selick

Fantastic Mr. Fox – Wes Anderson

The Princess and the Frog – John Musker and ron Clements

The Secret of Kells – Tomm Moore

  • Up – Pete Doctor

What a HUGE upset that would be for Up not to win.  It is nominated for Best Picture as well, so doesn’t that make it an automatic winner. I almost think so.  Plus, it was the best animated film this year and has won almost every animation award that exists.  If Pixar hadn’t made a film this year I would be pulling for Coraline, which was way better than I expected.


Penelope Cruz – Nine

Vera Farmiga – Up in the Air

Maggie Gyllenhaal – Crazy Heart

Anna Kendrick – Up in the Air

  • Mo’Nique – Precious

Mo’Nique has won a lot of praise for her portrayal in Precious.  The Academy loves to award people who take on roles that are polar opposites of their personality.  Mo’Nique’s scary transformation and character should award her with the Oscar.


Matt Damon – Invictus

Woody Harrelson – The Messenger

Christopher Plummer – The Last Station

Stanley Tucci – The Lovely Bones

  • Christoph Waltz – Inglourious Basterds

Waltz has created one of those iconic characters in film that will transcend generations to come.  He was the best thing about that movie and I’m glad  the Academy has acknowledged his acting in this film.  This is one of those roles that will help jump start a long and prosperous career for Waltz.


  • Sandra Bullock – The Blind Side

Helen Mirren – The Last Station

Carey Mulligan – An Education

Gabourey Sidibe – Precious

Meryl Streep – Julie & Julia

I haven’t seen any of these movies but based off people’s reactions and perceptions this was Bullock’s comeback year.  Streep is the other strong contender because well, she’s Meryl Streep, but like Waltz, Bullock has created an iconic character that helped sell her film and make it popular.


  • Jeff Bridges – Crazy Heart

George Clooney – Up in the Air

Colin Firth – A Single Man

Morgan Freeman – Invictus

Jeremy Renner – The Hurt Locker

I can’t believe some of the people that are NOT nominated for this award.  Viggo Mortensen gave his best performance to date in The Road and Sharlto Copley kept us emotionally engaged in the great District 9.  Even Sam Rockwell in Moon gave an award’s worthy performance as the only actor in that entire film.  Instead I felt the Academy played it safe with people like Clooney and Freeman.  Their performances were great, but I think in 5 years no one will even be talking about those characters.  Jeff Bridges is an excellent actor and recently he has been racking up the awards left and right for his performance, and I think he will come away with this one.


  • Avatar – James Cameron and Jon Landau

The Blind Side – Gil Netter, Andrew A. Kosove and Broderick Johnson

District 9 – Peter Jackson and Carolynne Cunningham

An Education – Finola Dwyer and Amanda Posey

The Hurt Locker – Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro

Inglourious Basterds – Lawrence Bender

Precious: Based on the Novel ‘Push’ by Sapphire – Lee Daniels, Sarah Siegel-Magness and Gary Magness

A Serious Man – Joel Coen and Ethan Coen

Up – Jonas Rivera

Up in the Air – Daniel Dubiecki, Ivan Reitman and Jason Reitman

It truly is a David vs. Goliath in the Best Picture category.  It really is down to two films now – The Hurt Locker and Avatar.  If the Hurt Locker wins it will become the lowest grossing movie ever ($15 million) to win Best Picture.  If Avatar wins it will become the highest grossing movie ($2.5 billion and counting) ever to win best picture.  These two movies couldn’t be any more different.  The Hurt Locker recently has won a lot of critic’s awards for best picture, including the BAFTA.  But I think Avatar is going to pull an upset. I only call it an upset because, other than the Golden Globes, it hasn’t won best picture at a major event.  The reason I think it will win is because of its gross and mass appeal.  Part of the reason the Academy had opened up the nominations to ten films this year was to get blockbuster type films (Disctrict 9, Blindside) into the awards, where usually they would be left out.  This decision comes a year after many people felt the Dark Knight was left out of the Best Picture category.  Avatar is that ‘big’ type of epic film that has been missing for a few years, and having such a small film like the Hurt Locker win seems contradictory to what the Academy is trying to say with these 10 nominations.  I feel that Avatar or the Hurt Locker have reasons to deserve Best Picture, and I would not be disappointed in the outcome either way.  However, I have a little bias for Avatar because science fiction and fantasy films usually get the shaft by the Academy.  Avatar had everything going against it before it was released, and what it has done so far is so extraordinary that it almost seems destined to have one final blow in winning the Academy Award for Best Picture.